This is a view looking across the Red River. The houses, the roofs of which can be seen, are on a plain below the level of the river bank. The bank has been artificially enlarged to act as a dyke to prevent spring flooding.
This is one of the first in the series of paintings done from photographs.
They have got better (or worse, depending upon your viewpoint) the more I've done.
The titles aren't too imaginative, although they could be worse.
The photograph from which the painting is taken is below.
Today's painting is another in a series I've recently been doing from photographs. It is not my preferred way of working. It seems a rather second hand way of recording experience. If anything, the experience that you are recording is that of looking at a photograph.
My thoughts on this subject are still evolving. I'm sure that I'll have more to say on this subject in the future, and, who knows, if I manage to sell some of these paintings done from photographs, I may change my mind completely.
Little Building oil 10.2 x 15.2 cm (4" x 6")■
The little building is a City of Winnipeg maintenance building of some sort. I've never seen it being used.
Another view from Lyndale Drive in Winnipeg, looking south across the Red River.
The technique is the same as in yesterday's post: an ochre ground, the darks, and then the lights. And like yesterday's painting, this one was quick.
I've done one painting of the opposite bank of the river, Twilight, Riverview, posted on December 24, 2006. It was done from memory, not from a photograph. For me, it makes for an interesting comparison with today's work.
Another painting done from a photograph. Yesterday's painting was also from a photograph.
Over the next couple of weeks I'll be posting a number of paintings done from photographs. I'll try to post some of the photographs along with the paintings.
This painting was done on a brownish ground, as you can see. A mid-tone ground usually speeds up the painting, and it means that you can get away with less detail.
The back lane of the painting runs behind our street, and is pretty typical of Winnipeg back lanes in winter.
Self-Portrait No. 3 graphite, ink, and watercolour 7.2" x 4.9" (18.3 x 12.4 cm)
One is seldom encouraged by how one looks.
This is an older self-portrait. It's more or less accurate, for better or worse, and this is about as happy as I ever look.
You might compare it with two other self-portraits: one posted on Feb. 25, 2006, Portrait of the Artist, and the other posted on March 27, 2006, Self-Portrait.
I seldom work from photographs, except perhaps when doing something like caricatures, where photographs are indispensable. Working from photographs just doesn't interest me a lot. However, every once in awhile I will do something using a photograph, if only to remind myself of how it's done. Here's the result: Coronation Park, along with the photograph from which it was taken.
Out of curiosity I deliberately did this painting as fast as I could. Forty minutes from start to finish, and I'm not impressed.
Coronation Park Coronation Park is a small neighbourhood park at the beginning of our street. I don't know the history of the park, but I would think that its' name derives from the coronation of Queen Elizabeth II.
Orange Scarf graphite and pastel 10.5" x 8.4" (26.7 x 21.3 cm)
A bit of an odd drawing, thanks to the heavy grey shading on the face. Many times you're stuck using whatever is at hand; if it's grey, black, and orange, then that's what you use.
James graphite and pastel 11.0" x 8.4" (21.3 x 17.9 cm) James seldom smiles. This is one of the happier drawings I have of him. He doesn't laugh much either, but for all that he's a funny guy to be with. How does that work?
Young Goth graphite, ink, and watercolour 7.0" x 8.2" (17.8 x 20.8 cm)
Are goths still in fashion? I must confess to being au courant in nothing, so I have no idea if this young man is still in fashion or is hopelessly passé.
I was reluctant to ask about the goth stuff. Instead we talked about a seemingly unlikely subject for a goth, entomology, something he is passionate about.
The streak down the side of the young man's face is black paint, something apparently becoming to a goth.
Marcel Proust ink 10" x 7.4" (25.4 x 18.8 cm) Another caricature juste pour rire.
I had a hard time finding something for Marcel to say, which, when you think of it, is rather ironic for a man of so many words. "Merde!" was the best I could do. If anyone has a better suggestion the caption could easily be changed.