This drawing was done a couple of weeks ago in Kamloops, British Columbia. Because it was done with a limited supply of pastels, and because I'm not really sure of what I'm doing with pastels, the colour in the drawing is considerably off that of the actual scene.
The drawing also suffers a bit from the smudging it underwent during its' travels.
I will be travelling for the next week and a half. Regular posts will continue in two weeks. For now, here's a video on one of my favourite artists, Jean Dubuffet.
• Another New York art dealer gone bad. (New York Post) • Iraq's Center for Contemporary Art and the fate of its' collection. (The New York Times) • Tibet, or rather the real (?) Tibet. (spiked) • The sex life of E.M. Forster. (The New Republic)
• The Vancouver Art Gallery pot smokers. (The Globe & Mail) • ' Who me? Study? ' The new student. (The Boston Globe) • A history of bullfighting. (The New Republic) • A portrait of James Wolfe is coming to Canada. ( CBC News)
Black and Cream gouache 30.5 x 45.7 cm (12" x 18")
I couldn't think of a better title than Black and Cream. I'll have to check the label on the bottle of the cream coloured paint. I bet it's called 'Cream', and if not cream, then 'Flesh Color'.
• Is architect Frank Gehry really a genius? (Vanity Fair) • French football and snobbery. (New English Review) • Un coeur simple by a simple heart, Gustave Flaubert. (The New Criterion) • British art collector Charles Saatchi has donated his London gallery, along with 200 works, to the British government. (CBC News)
Marc Chagall's Bible illustrations set to Henryk Gorecki's Sorrowful Songs: Chagall created most of these lithograph drawings for the Bible in the mid-twentieth century. In this series, he presents well-known and lesser-known stories from the Bible from the Garden through to the Final Judgment.
The music is a selection from Gorecki's Symphony No. 3, II Lento e Largo, tranquillissimo, also called "Sorrowful Songs," performed by David Zinman, Dawn Upshaw, and the London Sinfonietta. The music was inspired by the story of an 18-year-old prisoner WWII, Helena Wanda Blazusiakowna, who wrote the following message on "wall 3 of cell No. 3 in the basement of the "Palace," the Gestapo headquarters in Zakopane:
"No, Mother, do not weep Most chaste Queen of Heaven Support me always "Zdrowas Mario."